Spring to Mind
Spring marches swiftly.
Robins poke at the grass outside my office window. I spend mornings writing with the window
open. Chirping and increasing road
traffic reverberate around my writing nook.
Although Hope (The World
In-between, 5) takes place in the spring, the outside becomes background noise.
This one scene sequence constantly plays in my mind. It doesn’t care if I’m not at that point in
the story yet. My main goal has been to
get my characters there. The scene is a
major turning point in the story and in Hope’s character development. I want to say that I didn’t plan that scene
when I first started, but somewhere in my mind, I think I did. Why else would I have dropped the
breadcrumbs?
It’s funny. In my
literature classes, we were expected to deconstruct stories, look for meaning, what
the author intended, et cetera. When I
walked across that stage and received my degree holder, writing had well taken
hold of me, yet, becoming a novelist wasn’t in the plans then. Five years after my college graduation day, I
wrote down my imaginings—the beginnings of the first novel which will never see
the light of day in its current form. As
I sit here, many books later, I ponder my own intentions in my stories, author
wise.
For the most part, I don’t seem to have any. I write what the story wants to be. The details…
Yes, I research character names and choose them accordingly. I research mythos, beasts, and legends. I research facts. Do I throw hidden meaning into my
stories? No. Not intentionally, at any rate.
However, I have to wonder.
Does my brain work in more mysterious ways? Does it know more than it lets me know? Along the way to this moment, I
learned the rules of writing, the rules of storytelling, allegory, the significance
of characters, their props, and the story line itself. For me, sentence structure is an unconscious decision. Being proficient in diagramming sentences has
allowed me to visualize grammar, clauses, and syntax.
I don’t concern myself with the hows, ways, and means of
writing. I just write. Somewhere between my brain and my pen, those
things just happen. Readers see things I
cannot or do not during my writing. I
say that I don’t outline my stories. And
I don’t or if I do, I don’t look at it again.
But deep within the folds of my cerebrum, a plan forms and I follow it,
even when I don’t think I do.
The page in Hope
where I am now has me wondering why I brought these characters to this
place. What are they supposed to learn
here? In essence, what is their purpose
at this moment in the plot? Tomorrow
morning, while the cat is torn between “helping me write” and keeping an eye on
the birds out the window, I’m sure I will discover what bit of knowledge I am
hiding from myself.
My writing nook’s window faces east. Rays from the sun rising over the mountains
spill onto my pages. I find a comforting
energy in morning sunlight, no matter what the season. Although fall is, by far, my favorite season,
spring brings something special. Spring’s
thawing warm weather wakes up the brain.
Sounds flittering through my windows bring me back to my childhood. Spring also reminds us that we grow, that the
seeds planted long ago have taken root, and that we use everything to make us
who we are and direct us to where we go.
You are much more knowledgeable of structure and form in your craft than I, although I do believe we share some similar traits in storytelling. Happy Spring to you this coming weekend.
ReplyDeleteI think we do too. While structure and form are important, they should not hinder the writer's enjoyment of creating characters and the worlds in which they live. Writing the story comes first. Everything else is editing. Happy Spring to you as well!
Delete